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Theatre Of The Oppressed In Actions:an Audio–visual Introduction To Boal’s Forum Theatre
by BOAL, JULIAN | Howe, Kelly | Scot, McElvany
Publish: Feb 2015
ISBN-13: 9780415606189
ISBN-10:0415606187
Status:Published

Price: S$79.98

Book Description

This exciting collection of archival film footage—some of it never before shared publicly—will be useful for Theatre of the Oppressed students,
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This exciting collection of archival film footage—some of it never before shared publicly—will be useful for Theatre of the Oppressed students, practitioners, and scholars of any level of familiarity or experience. Resources include: 

  • detailed footage of Augusto Boal and Julian Boal facilitating workshops at the International Pedagogy and Theatre of the Oppressed (PTO) Conference
  • a film of Augusto Boal's final trip to the PTO Conference
  • footage excerpts of a variety of artists from around the world using Forum Theatre in their own local, urgent struggles 
  • a companion booklet of short essays and interviews that contextualize the dynamic activist projects featured on the DVD.

Combining professionally-filmed video with amateur footage, this project aims to capture Theatre of the Oppressed as a system of techniques defined simultaneously by political continuity and practical flexibility.

Filmmaking Workflows With Adobe Pro Video Tools:learn By Video
by Shaening-Pokrasso, Adam
Edition: 1st
Publish: Sep 2014
ISBN-13: 9780321984548
ISBN-10:0321984544

Price: S$82.00

Book Description

The digital video tools available in Adobe Creative Cloud offer industry-standard applications for project organization, video and audio editing, ani
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The digital video tools available in Adobe Creative Cloud offer industry-standard applications for project organization, video and audio editing, animation, and final encoding for delivery.

This critically acclaimed interactive training program from Adobe Press offers 4 hours of exceptional quality high-definition video tutorials to teach the fundamental concepts and features you’ll need to use the tools. After the basics are covered, you’ll learn to take your video from concept all the way through the production and post-production pipelines. With focused attention on the workflow and integration between the video and audio applications in Adobe Creative Cloud, you’ll learn to plan and organize projects, ingest and log clips in Adobe Prelude®, edit in Adobe Premiere® Pro, create motion graphics and visual effects using Adobe After Effects®, work with audio in Adobe Audition®, color correct in Adobe SpeedGrade®, finish and render compositions, output your files for the web, and share your files on Adobe Creative Cloud.

The video is wrapped in a unique interface that allows you to jump to any topic and also bookmark individual sections for later review. The unique “Watch and Work” mode shrinks the video into a small window to allow you to work alongside in the software. Project files used in the lessons are included on the disc so you can practice what you’ve learned, and interactive review questions help reinforce freshly gained knowledge.

After completing this video course, you’ll know the basic Adobe digital video workflow and have the necessary skills to successfully complete your filmmaking and video projects.

System Requirements
Mac OS X 10.6, Microsoft Windows XP, or higher
GHz processor or higher
2 GB RAM or higher
1 GB Free HD Space (does not include lesson files)

Please note that this DVD can be viewed only on a computer. It will not work in DVD-Video player software or a DVD set-top player.

Stanislavski In Practice – The Film
by O'Brien, Nick
Publish: Oct 2014
ISBN-13: 9781138785045
ISBN-10:1138785040
Status:Published

Price: S$79.98

Book Description

"A how-to guide, full of classroom exercises … the book, which is meant to be used by students and instructors alike, is a wild success--the writ
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"A how-to guide, full of classroom exercises … the book, which is meant to be used by students and instructors alike, is a wild success--the writing is clear, and the solid, down-to-earth exercises unravel the "mystery" of Stanislavski." E. C. Skiles; Lone Star College-Kingwood, CHOICE

"Outstanding … this DVD will take practical approaches to Stanislavski to a whole new level." Alan Perks, Chief Examiner, Edexcel A Level

Stanislavski in Practice – The Film (Part One) brings the Stanislavski System fully to life for the first time, with over 100 minutes of footage. The film follows a group of seven acting students as they are introduced to the System. Guided by Nick O’Brien, the students undertake a complete course in the System, including:

    • Imagination
    • Physical tensions
    • Free body
    • Communication
    • Natural silences
    • Tempo-rhythm
    • Movement and awareness

Each area is explored practically and clearly, with exercises based on those used by Stanislavski at the Moscow Art Theatre. As a close companion to O'Brien's book for school students, Stanislavski in Practice, this DVD focusses on each student’s process of observing, experiencing and learning, as well as on the teacher's instruction. It provides an invaluable alternative or supplement to reading the book and practicing the exercises in class, in a workshop or at home.

As a step-by-step guide to working with Stanislavski's System, this is an unparalleled package of resources for anyone looking to become a better actor.

Deborah Hay's Turn Your F^*king Head
by Hay, Deborah | Edmunds, Becky
Publish: Jul 2015
ISBN-13: 9781138783768
ISBN-10:1138783765
Status:Not yet published

Price: S$73.98

Book Description

In August 2012, twenty dance artists from eleven countries spent ten days at the Findhorn Community Foundation, Scotland, to learn and be coached i
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In August 2012, twenty dance artists from eleven countries spent ten days at the Findhorn Community Foundation, Scotland, to learn and be coached in the performance of a solo they had each commissioned from renowned choreographer Deborah Hay.

Hay’s innovative Solo Performance Commissioning Project (SPCP) instils a transformative and rigorous daily practice that serves to stimulate and enrich each individual’s approach to performance and choreography. This process then engenders twenty unique solo adaptations of the work through a period of practice that extends into the months following the project.

To mark the moment of the final SPCP in 2012, Independent Dance commissioned videographer Becky Edmunds to document the journey of the group as they learned the solo ‘Dynamic’. The resulting film, Turn Your F^*king Head, is the only time this project has been filmed. Capturing the process by which Hay transmits the same solo dance to twenty individuals, the film unveils the experiences, insights, and questions that inform the work and artistic practice.

Edmunds reveals the discernment, humour, inquiry, and humility of one of the most respected and original dance artists of our time.

Turn Your F^*king Head offers an in-depth chronicle of choreographer Deborah Hay's Solo Performance Commissioning Project that will provoke rich thought and discussion among dancers and choreographers alike. Students in dance technique, choreography, history and theory, and dance criticism courses will grow from discussing and writing about TYFH, and new movement-based performance projects are bound to be engendered by ideas gleaned from the film.’
Larry Lavender, Professor of Dance, University of North Carolina

Video Production 101:learn By Video: Delivering The Message
by Manriquez, Antonio | McCluskey, Thomas
Edition: 1st
Publish: Dec 2015
ISBN-13: 9780321993427
ISBN-10:032199342X
Status:Published

Price: S$63.00

Book Description

Not only in the filmmaking, broadcasting, and journalism worlds but in all types of businesses, visual media and video are fast becoming one of the mo
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Not only in the filmmaking, broadcasting, and journalism worlds but in all types of businesses, visual media and video are fast becoming one of the most important tools for disseminating information. Young people are at the forefront of this movement as video capturing has been a critical part of how they view and project themselves and their worlds. However, it is not as simple as pointing a camera and capturing the surroundings. There is a lot to learn about telling effective stories and producing a professional-looking video but books and other videos on the topic are often presented in technical language that isn’t accessible (or interesting) to students. In this video, video and media instructors Antonio Manriquez and Tom McCluskey cover the entire process of digital content creation in a fun, project-oriented way that resonates with a younger audience—from development of the story to deciding which equipment to use, to producing a video and editing the content, to final output and distribution.

• Learn visual and verbal communication skills, media literacy, and technical proficiency in video production.
• Best-practice techniques from two teachers with extensive experience in video and cinema production.
• Get started with story development, directing, camerawork, editing, sound design, and other aspects key to media creation.
• Sample projects, a glossary, and additional resources are included to take your skills further.

The video is wrapped in a unique interface that allows you to jump to any topic and also bookmark individual sections for later review. The unique “Watch and Work” mode shrinks the video into a small window to allow you to work alongside in the software. Project files used in the lessons are included on the disc so you can practice what you’ve learned, and interactive review questions help reinforce freshly gained knowledge.

Duration: 2 HR (User Level: Beginning/Intermediate)
Closed-Captioning in English

 
System Requirements:
Mac OS X 10.6, Microsoft Windows XP, or higher
2 GHz processor or higher
4 GB RAM or higher
1 GB free HD space (does not include lesson files)

Monologues For Actors Of Color:men
by Uno, Roberta
Edition: 2nd
Publish: May 2016
ISBN-13: 9781315718828
ISBN-10:1315718820
Status:Not yet published

Price: S$29.98

Yoga And Actor Training
by Hulton, Dorinda | Kapsali, Maria
Publish: Sep 2015
ISBN-13: 9780415702577
ISBN-10:0415702577
Status:Not yet published

Price: S$79.98

Shakespeare, Performance And The Archive
by Hodgdon, Barbara
Publish: Nov 2015
ISBN-13: 9780203144459
ISBN-10:0203144457
Status:Not yet published

Price: S$49.98

Book Description

Shakespeare, Performance and the Archive is a ground-breaking and movingly written exploration of what remains when actors evacuate the space and t
More Details..

Shakespeare, Performance and the Archive is a ground-breaking and movingly written exploration of what remains when actors evacuate the space and time of performance.  An analysis of ‘leftovers’, it moves between tracking the politics of what is consciously archived and the politics of visible and invisible theatrical labour to trace the persistence of performance.

In this fascinating volume, Hodgdon considers how documents, material objects, sketches, drawings and photographs explore scenarios of action and behaviour – and embodied practices. Rather than viewing these leftovers as indexical signs of a theatrical past, Hodgdon argues that the work they do is neither strictly archival nor documentary but performative – that is, they serve as sites of re-performance.

Shakespeare, Performance and the Archive creates a deeply materialized historiography of performance and attempts to make that history do something entirely new.

Barbara Hodgdon is Professor of English at the University of Michigan, now retired. Her major interest is in theatrical performances, especially performed Shakespeare. She is the author of: The End Crowns All, The Shakespeare Trade, and most recently the Arden edition of The Taming of the Shrew.

Shakespeare, Performance And The Archive
by Hodgdon, Barbara
Publish: Nov 2015
ISBN-13: 9781136503245

Status:Not yet published

Price: S$49.98

Book Description

Shakespeare, Performance and the Archive is a ground-breaking and movingly written exploration of what remains when actors evacuate the space and t
More Details..

Shakespeare, Performance and the Archive is a ground-breaking and movingly written exploration of what remains when actors evacuate the space and time of performance.  An analysis of ‘leftovers’, it moves between tracking the politics of what is consciously archived and the politics of visible and invisible theatrical labour to trace the persistence of performance.

In this fascinating volume, Hodgdon considers how documents, material objects, sketches, drawings and photographs explore scenarios of action and behaviour – and embodied practices. Rather than viewing these leftovers as indexical signs of a theatrical past, Hodgdon argues that the work they do is neither strictly archival nor documentary but performative – that is, they serve as sites of re-performance.

Shakespeare, Performance and the Archive creates a deeply materialized historiography of performance and attempts to make that history do something entirely new.

Barbara Hodgdon is Professor of English at the University of Michigan, now retired. Her major interest is in theatrical performances, especially performed Shakespeare. She is the author of: The End Crowns All, The Shakespeare Trade, and most recently the Arden edition of The Taming of the Shrew.

Shakespeare, Performance And The Archive
by Hodgdon, Barbara
Publish: Nov 2015
ISBN-13: 9781136503184

Status:Not yet published

Price: S$49.98

Book Description

Shakespeare, Performance and the Archive is a ground-breaking and movingly written exploration of what remains when actors evacuate the space and t
More Details..

Shakespeare, Performance and the Archive is a ground-breaking and movingly written exploration of what remains when actors evacuate the space and time of performance.  An analysis of ‘leftovers’, it moves between tracking the politics of what is consciously archived and the politics of visible and invisible theatrical labour to trace the persistence of performance.

In this fascinating volume, Hodgdon considers how documents, material objects, sketches, drawings and photographs explore scenarios of action and behaviour – and embodied practices. Rather than viewing these leftovers as indexical signs of a theatrical past, Hodgdon argues that the work they do is neither strictly archival nor documentary but performative – that is, they serve as sites of re-performance.

Shakespeare, Performance and the Archive creates a deeply materialized historiography of performance and attempts to make that history do something entirely new.

Barbara Hodgdon is Professor of English at the University of Michigan, now retired. Her major interest is in theatrical performances, especially performed Shakespeare. She is the author of: The End Crowns All, The Shakespeare Trade, and most recently the Arden edition of The Taming of the Shrew.

Shakespeare, Performance And The Archive
by Hodgdon, Barbara
Publish: Nov 2015
ISBN-13: 9781136503238

Status:Not yet published

Price: S$49.98

Book Description

Shakespeare, Performance and the Archive is a ground-breaking and movingly written exploration of what remains when actors evacuate the space and t
More Details..

Shakespeare, Performance and the Archive is a ground-breaking and movingly written exploration of what remains when actors evacuate the space and time of performance.  An analysis of ‘leftovers’, it moves between tracking the politics of what is consciously archived and the politics of visible and invisible theatrical labour to trace the persistence of performance.

In this fascinating volume, Hodgdon considers how documents, material objects, sketches, drawings and photographs explore scenarios of action and behaviour – and embodied practices. Rather than viewing these leftovers as indexical signs of a theatrical past, Hodgdon argues that the work they do is neither strictly archival nor documentary but performative – that is, they serve as sites of re-performance.

Shakespeare, Performance and the Archive creates a deeply materialized historiography of performance and attempts to make that history do something entirely new.

Barbara Hodgdon is Professor of English at the University of Michigan, now retired. Her major interest is in theatrical performances, especially performed Shakespeare. She is the author of: The End Crowns All, The Shakespeare Trade, and most recently the Arden edition of The Taming of the Shrew.

Shakespeare, Performance And The Archive
by Hodgdon, Barbara
Publish: Nov 2015
ISBN-13: 9781136503191

Status:Not yet published

Price: S$49.98

Book Description

Shakespeare, Performance and the Archive is a ground-breaking and movingly written exploration of what remains when actors evacuate the space and t
More Details..

Shakespeare, Performance and the Archive is a ground-breaking and movingly written exploration of what remains when actors evacuate the space and time of performance.  An analysis of ‘leftovers’, it moves between tracking the politics of what is consciously archived and the politics of visible and invisible theatrical labour to trace the persistence of performance.

In this fascinating volume, Hodgdon considers how documents, material objects, sketches, drawings and photographs explore scenarios of action and behaviour – and embodied practices. Rather than viewing these leftovers as indexical signs of a theatrical past, Hodgdon argues that the work they do is neither strictly archival nor documentary but performative – that is, they serve as sites of re-performance.

Shakespeare, Performance and the Archive creates a deeply materialized historiography of performance and attempts to make that history do something entirely new.

Barbara Hodgdon is Professor of English at the University of Michigan, now retired. Her major interest is in theatrical performances, especially performed Shakespeare. She is the author of: The End Crowns All, The Shakespeare Trade, and most recently the Arden edition of The Taming of the Shrew.

Shakespeare, Performance And The Archive
by Hodgdon, Barbara
Publish: Nov 2015
ISBN-13: 9781136503214

Status:Not yet published

Price: S$49.98

Book Description

Shakespeare, Performance and the Archive is a ground-breaking and movingly written exploration of what remains when actors evacuate the space and t
More Details..

Shakespeare, Performance and the Archive is a ground-breaking and movingly written exploration of what remains when actors evacuate the space and time of performance.  An analysis of ‘leftovers’, it moves between tracking the politics of what is consciously archived and the politics of visible and invisible theatrical labour to trace the persistence of performance.

In this fascinating volume, Hodgdon considers how documents, material objects, sketches, drawings and photographs explore scenarios of action and behaviour – and embodied practices. Rather than viewing these leftovers as indexical signs of a theatrical past, Hodgdon argues that the work they do is neither strictly archival nor documentary but performative – that is, they serve as sites of re-performance.

Shakespeare, Performance and the Archive creates a deeply materialized historiography of performance and attempts to make that history do something entirely new.

Barbara Hodgdon is Professor of English at the University of Michigan, now retired. Her major interest is in theatrical performances, especially performed Shakespeare. She is the author of: The End Crowns All, The Shakespeare Trade, and most recently the Arden edition of The Taming of the Shrew.

Experiencing Stanislavsky Today:training And Rehearsal For The Psychophysical Actor
by Daventry French, Stephanie | G. Bennett, Philip
Publish: Dec 2015
ISBN-13: 9780203152478
ISBN-10:0203152476
Status:Not yet published

Price: S$39.98

Book Description

This pioneering introduction to Stanislavsky's methods and modes of actor training covers all of the essential elements of his System. Recreating
More Details..

This pioneering introduction to Stanislavsky's methods and modes of actor training covers all of the essential elements of his System. Recreating ‘truthful’ behaviour in the artificial environment, awareness and observation, psychophysical work, given circumstances, visualization and imagination, and active analysis are all introduced and explored.

  • Each section of the book is accompanied by individual and group exercises, forming a full course of study in the foundations of modern acting.
  • A glossary explains the key terms and concepts that are central to Stanislavsky’s thinking at a glance.
  • The book’s companion website is full of downloadable worksheets and resources for teachers and students.

Experiencing Stanislavsky Today is enhanced by contemporary findings in psychology, neuroscience, anatomy and physiology that illuminate the human processes important to actors, such as voice and speech, creativity, mind-body connection, the process and the production of emotions on cue. It is the definitive first step for anyone encountering Stanislavsky’s work, from acting students exploring his methods for the first time, to directors looking for effective rehearsal tools and teachers mapping out degree classes.

Experiencing Stanislavsky Today:training And Rehearsal For The Psychophysical Actor
by Daventry French, Stephanie | G. Bennett, Philip
Publish: Dec 2015
ISBN-13: 9781136519345

Status:Not yet published

Price: S$39.98

Book Description

This pioneering introduction to Stanislavsky's methods and modes of actor training covers all of the essential elements of his System. Recreating
More Details..

This pioneering introduction to Stanislavsky's methods and modes of actor training covers all of the essential elements of his System. Recreating ‘truthful’ behaviour in the artificial environment, awareness and observation, psychophysical work, given circumstances, visualization and imagination, and active analysis are all introduced and explored.

  • Each section of the book is accompanied by individual and group exercises, forming a full course of study in the foundations of modern acting.
  • A glossary explains the key terms and concepts that are central to Stanislavsky’s thinking at a glance.
  • The book’s companion website is full of downloadable worksheets and resources for teachers and students.

Experiencing Stanislavsky Today is enhanced by contemporary findings in psychology, neuroscience, anatomy and physiology that illuminate the human processes important to actors, such as voice and speech, creativity, mind-body connection, the process and the production of emotions on cue. It is the definitive first step for anyone encountering Stanislavsky’s work, from acting students exploring his methods for the first time, to directors looking for effective rehearsal tools and teachers mapping out degree classes.

Experiencing Stanislavsky Today:training And Rehearsal For The Psychophysical Actor
by Daventry French, Stephanie | G. Bennett, Philip
Publish: Dec 2015
ISBN-13: 9781136519284

Status:Not yet published

Price: S$39.98

Book Description

This pioneering introduction to Stanislavsky's methods and modes of actor training covers all of the essential elements of his System. Recreating
More Details..

This pioneering introduction to Stanislavsky's methods and modes of actor training covers all of the essential elements of his System. Recreating ‘truthful’ behaviour in the artificial environment, awareness and observation, psychophysical work, given circumstances, visualization and imagination, and active analysis are all introduced and explored.

  • Each section of the book is accompanied by individual and group exercises, forming a full course of study in the foundations of modern acting.
  • A glossary explains the key terms and concepts that are central to Stanislavsky’s thinking at a glance.
  • The book’s companion website is full of downloadable worksheets and resources for teachers and students.

Experiencing Stanislavsky Today is enhanced by contemporary findings in psychology, neuroscience, anatomy and physiology that illuminate the human processes important to actors, such as voice and speech, creativity, mind-body connection, the process and the production of emotions on cue. It is the definitive first step for anyone encountering Stanislavsky’s work, from acting students exploring his methods for the first time, to directors looking for effective rehearsal tools and teachers mapping out degree classes.

Experiencing Stanislavsky Today:training And Rehearsal For The Psychophysical Actor
by Daventry French, Stephanie | G. Bennett, Philip
Publish: Dec 2015
ISBN-13: 9781136519338

Status:Not yet published

Price: S$39.98

Book Description

This pioneering introduction to Stanislavsky's methods and modes of actor training covers all of the essential elements of his System. Recreating
More Details..

This pioneering introduction to Stanislavsky's methods and modes of actor training covers all of the essential elements of his System. Recreating ‘truthful’ behaviour in the artificial environment, awareness and observation, psychophysical work, given circumstances, visualization and imagination, and active analysis are all introduced and explored.

  • Each section of the book is accompanied by individual and group exercises, forming a full course of study in the foundations of modern acting.
  • A glossary explains the key terms and concepts that are central to Stanislavsky’s thinking at a glance.
  • The book’s companion website is full of downloadable worksheets and resources for teachers and students.

Experiencing Stanislavsky Today is enhanced by contemporary findings in psychology, neuroscience, anatomy and physiology that illuminate the human processes important to actors, such as voice and speech, creativity, mind-body connection, the process and the production of emotions on cue. It is the definitive first step for anyone encountering Stanislavsky’s work, from acting students exploring his methods for the first time, to directors looking for effective rehearsal tools and teachers mapping out degree classes.

Experiencing Stanislavsky Today:training And Rehearsal For The Psychophysical Actor
by Daventry French, Stephanie | G. Bennett, Philip
Publish: Dec 2015
ISBN-13: 9781136519291

Status:Not yet published

Price: S$39.98

Book Description

This pioneering introduction to Stanislavsky's methods and modes of actor training covers all of the essential elements of his System. Recreating
More Details..

This pioneering introduction to Stanislavsky's methods and modes of actor training covers all of the essential elements of his System. Recreating ‘truthful’ behaviour in the artificial environment, awareness and observation, psychophysical work, given circumstances, visualization and imagination, and active analysis are all introduced and explored.

  • Each section of the book is accompanied by individual and group exercises, forming a full course of study in the foundations of modern acting.
  • A glossary explains the key terms and concepts that are central to Stanislavsky’s thinking at a glance.
  • The book’s companion website is full of downloadable worksheets and resources for teachers and students.

Experiencing Stanislavsky Today is enhanced by contemporary findings in psychology, neuroscience, anatomy and physiology that illuminate the human processes important to actors, such as voice and speech, creativity, mind-body connection, the process and the production of emotions on cue. It is the definitive first step for anyone encountering Stanislavsky’s work, from acting students exploring his methods for the first time, to directors looking for effective rehearsal tools and teachers mapping out degree classes.

Experiencing Stanislavsky Today:training And Rehearsal For The Psychophysical Actor
by Daventry French, Stephanie | G. Bennett, Philip
Publish: Dec 2015
ISBN-13: 9781136519314

Status:Not yet published

Price: S$39.98

Book Description

This pioneering introduction to Stanislavsky's methods and modes of actor training covers all of the essential elements of his System. Recreating
More Details..

This pioneering introduction to Stanislavsky's methods and modes of actor training covers all of the essential elements of his System. Recreating ‘truthful’ behaviour in the artificial environment, awareness and observation, psychophysical work, given circumstances, visualization and imagination, and active analysis are all introduced and explored.

  • Each section of the book is accompanied by individual and group exercises, forming a full course of study in the foundations of modern acting.
  • A glossary explains the key terms and concepts that are central to Stanislavsky’s thinking at a glance.
  • The book’s companion website is full of downloadable worksheets and resources for teachers and students.

Experiencing Stanislavsky Today is enhanced by contemporary findings in psychology, neuroscience, anatomy and physiology that illuminate the human processes important to actors, such as voice and speech, creativity, mind-body connection, the process and the production of emotions on cue. It is the definitive first step for anyone encountering Stanislavsky’s work, from acting students exploring his methods for the first time, to directors looking for effective rehearsal tools and teachers mapping out degree classes.

Active Analysis
by Knebel, Maria
Publish: Dec 2015
ISBN-13: 9780203125205
ISBN-10:0203125207
Status:Not yet published

Price: S$33.98

Active Analysis
by Knebel, Maria
Publish: Dec 2015
ISBN-13: 9781136448935

Status:Not yet published

Price: S$33.98

Active Analysis
by Knebel, Maria
Publish: Dec 2015
ISBN-13: 9781136448874

Status:Not yet published

Price: S$33.98

Active Analysis
by Knebel, Maria
Publish: Dec 2015
ISBN-13: 9781136448928

Status:Not yet published

Price: S$33.98

Active Analysis
by Knebel, Maria
Publish: Dec 2015
ISBN-13: 9781136448881

Status:Not yet published

Price: S$33.98

Active Analysis
by Knebel, Maria
Publish: Dec 2015
ISBN-13: 9781136448904

Status:Not yet published

Price: S$33.98

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